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Dustan, G: Nicolas Pages
Dustan, G: Nicolas Pages
20,60 €
22,89 €
  • Mēs nosūtīsim 10-14 darba dienu laikā.
An ode to mad love, awarded the Prix de Flore in 1999.Published in 1999 and awarded that year’s Prix de Flore, Nicolas Pages marks a departure from the Sadean preoccupations of Guillaume Dustan’s first three novels; it is, in essence, a love story. Inspired by a failed romance with the Swiss artist-writer Nicolas Pages and collaging texts that Dustan initially produced for a wide variety of other occasions (magazine articles, short stories, project notes, shopping lists, and more), the “auto-/b…
20.60 2025-06-02 08:00:00
  • Autors: Guillaume Dustan
  • Izdevējs
  • Gads: 2023
  • Lapas: 423
  • ISBN-10 : 1635901944
  • ISBN-13 : 9781635901948
  • Formāts: 13.5 x 20.2 x 3.2 cm, minkšti viršeliai
  • Valoda: Anglų
  • Extra -10% atlaide, ievadot kodu: EXTRA7d.07:08:55

Dustan, G: Nicolas Pages | Bookbook.lv

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An ode to mad love, awarded the Prix de Flore in 1999.

Published in 1999 and awarded that year’s Prix de Flore, Nicolas Pages marks a departure from the Sadean preoccupations of Guillaume Dustan’s first three novels; it is, in essence, a love story. Inspired by a failed romance with the Swiss artist-writer Nicolas Pages and collaging texts that Dustan initially produced for a wide variety of other occasions (magazine articles, short stories, project notes, shopping lists, and more), the “auto-/bio-/porno-graphic” prose of Nicolas Pages is by turns trashy and encyclopedic, corporeal and philosophical. Here Dustan inaugurates a “gay literature” that is no longer painful or shameful, but epicurean and cheerful without ever lapsing into idealism. A vibrant plea for gay rights and a tapestried text that is more than the sum of its many styles, Nicolas Pages is a call to explore the body, sexuality, and writing in all their variety; it is a hymn to life, humanity, pleasure, and desire.

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An ode to mad love, awarded the Prix de Flore in 1999.

Published in 1999 and awarded that year’s Prix de Flore, Nicolas Pages marks a departure from the Sadean preoccupations of Guillaume Dustan’s first three novels; it is, in essence, a love story. Inspired by a failed romance with the Swiss artist-writer Nicolas Pages and collaging texts that Dustan initially produced for a wide variety of other occasions (magazine articles, short stories, project notes, shopping lists, and more), the “auto-/bio-/porno-graphic” prose of Nicolas Pages is by turns trashy and encyclopedic, corporeal and philosophical. Here Dustan inaugurates a “gay literature” that is no longer painful or shameful, but epicurean and cheerful without ever lapsing into idealism. A vibrant plea for gay rights and a tapestried text that is more than the sum of its many styles, Nicolas Pages is a call to explore the body, sexuality, and writing in all their variety; it is a hymn to life, humanity, pleasure, and desire.

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